Art on Loan

As part of being a sales gallery artist with Northern Clay Center, I am rewarded with many special privileges. One of them is their Art On Loan program. I have not heard of any other galleries that do this, and I think its just another reason why NCC is an awesome place. The Art On Loan program allows designers, photo stylists, and decorators to borrow work from the gallery to be used in staging. This has now come to fruition for me with Room and Board, a home furnishing store with a strong design influence based in Minnesota. Below is an image from their current catalog, in the sofa section. Check out what’s on the near coffee table.

I’m guessing that maybe two, or three people if I’m lucky, will focus on and recognize my cups in their catalog. But I still think its pretty cool that the decorator picked my work to fit in with what they consider to be “modern contemporary living”.

Maybe they saw my work on current display at NCC in the “Functional Redesign” show that is up for another week. If you’re in or around Minneapolis, please go check it out.

NCECA recap

NCECA was very special to me this year, to say the least. Being in Seattle, where I lived for 7 years and went to undergrad at UW, was a big part of that feeling. So it definitely felt like home turf, and I love any opportunity to return to the Emerald City. Starting back in Sept, I made a big push to do a lot for this conference, and that push resulted in more than I ever could have expected.

First, I am ecstatic to say that I was selected as an Emerging Artist by NCECA! There were six of us, and we spoke at the closing ceremonies on Saturday morning. NCECA received a Windgate Charitable Foundation grant, and because of that we had a show, extensive publicity, and received a financial award. Pretty fantastic if I do say so myself. Here are images of the 3 pieces I put into the Emerging Show…

 

I was very fortunate to be in five other shows during the conference. A quick rundown…

-Foster/White hosted the Bray show titled “Table of Content”. I had the following piece, Eight,  installed there..

 

-At the Seattle Design Center, I was in a show Steve Godfrey curated titled “National Porcelain Invitational”. I had this very red coffee service, and a few singles…

 

-At the Elysian Brewery up on Capitol Hill, I was in a show Stephen Robinson curated titled “Steins”. Brand new stein, very similar to the one I made last year, but a little bit smaller. I say “smaller” because I shrank it from an absurd 34oz down to a more reasonable 22oz…

 

-I was featured by Red Lodge Clay Center at their NEXPO booth, with a few singles and this set…

 

-At La Mesa, hosted by Santa Fe Clay at the ACT Theater. This is always one my favorite shows as a place to see really great pots. The place setting I sent.

What a whirlwind the conference was this year. Getting up and speaking in front of everyone was incredibly nerve-racking, and a real honor. I’m working on posting a video of my slide presentation.

What’s next? I have a few shows coming up, and will be opening my Etsy store. Thanks for reading, and please stay tuned.

Jump Cups

 

 

 

 

 

 

 

 

Over the course of the past few years, I have been experimenting with different ways of decorating my work. Recently, I’ve been working with a motif that is an abstraction of geometric shapes that are greatly influenced by architecture and design. I have started to notice that most of my favorite shapes, the ones that I have the tendency to repeat the most, looked like the cross-section of jumps found in sports like snowboarding, biking, skateboarding, etc. So I’ve gone with it, and now started to draw these jump parks.

All that’s missing are the athletes. I would like to thank all the Greek potters, from a long long time ago, for providing me some of my favorite art history ever. So, putting athletes on pots is not a new idea, but I am going to try and bring it up to contemporary speed. So instead of an Olympian throwing a spear, I will have Terje Haakonsen boosting 150′ out of a quarter pipe throwing the largest Haakonflip ever imagined. Instead of the discus thrower,  Shawn White 80′ out of the pipe throwing a quad-cork. I’ve decided these drawings don’t  have to be confined to a documentation of what’s already happened in real life. They can depict what riders imagine could happen; “ if they were invincible, had perfect conditions, and could just get enough speed into the takeoff”. I am really trying to concentrate on making the pots with this new porcelain paste stuff, and 15 other things as well. So its Nicole who is really coming through in the clutch, in donating her time and madskillz to getting the digital work going for the decals.

So, with a little luck and a lotta work, I should have the new cups for NCECA.

 

Collaboration

Let me start with the image, then the story and the plan…

 

 

 

 

 

 

 

 

 

 

This cup is the start of a collaboration between me and Jeff Campana. Jeff’s studio is right across the hall from mine here at the Bray, and we have been discussing some possibilities about mingling our processes.

We started with a simple enough step, using one of my molds, and some slip that Jeff already had mixed of his claybody, he poured  a cup and took it through his process of dissection/reassembly and glazing. That’s the cup in the picture. In another test in the same kiln, he also found out that his glazes fit my clay body.

With so many similarities in our materials, and immediately finding some technical success, we’re going to push on and see what we can come up with.

There is also another, larger, more theoretical point to doing this. Beyond doing it just to see if we can (which would be reason enough), or just to see how it will change us (another completely valid reason), I feel this type of searching is part of why we are both at the Bray. This type of thing is why our studios are in the same hallway, and its our job to take this opportunity to its fullest potential.

Stay tuned, more to come soon.

Solo Show online

My solo show at MudFire Gallery, just outside of Atlanta, opens today. The show, titled “Pursuing Perfection”, is online and viewable here.

MudFire has really done a fantastic job with presenting the show. They also did some original writing about my work, which I very much appreciate. Here is a blurb, hope you enjoy the show…

“Nicholas Bivins is on an aesthetic quest for a personal definition of perfection in his studio pottery. He is exploring a tension between being handmade and looking handmade, between a geometric precision and evidence of the hand.

Nick’s show includes a few of his signature sets, as well as individual functional pieces such as cups, pourers, bottles and more. His minimalist designs are intended to help studio pottery continue forward as relevant in our contemporary society.”